The horror film “Rosewood Lane” is really starting to shape up into something with potential, first the film landed Jeepers Creepers’ writer and director Victor Salva, who aside from having a troublesome and somewhat turbulent past, knows how to scare the bejesus out of his audience (did I mention he made Jeepers Creepers!?!?) and then we heard that the film landed a spot on cast which included the likes of such talents as the gorgeous Rose McGowan, Showtime’s “Dexter” co-star Lauren Vélez, soap actress Lesley-Anne Down and veteran actor Ray Wise just to name a few. But now there’s even more great news coming out of this project since it‘s official site got a major expansion recently. Instead of more jibber jabber scow on down and take a look at the awesome new poster and some the great stills!
Side Note: Personally, I don’t agree with nor support or respect the terrible things that Mr. Salva did in his past, but to that same respect neither do I agree with or respect the very things Roman Polański did in 1977, but what these filmmakers did in their personal lives don’t necessarily reflect their work as a filmmaker.
ROSEWOOD LANE is written and directed by Victor Salva (Jeepers Creepers). The story follows McGowan as she plays Doctor Sonny Blake, a radio talk show psychiatrist, when she moves back to her childhood home after her alcoholic father dies. Once back in her old neighborhood she discovers the local paperboy is a frightening and cunning young sociopath that targeted her father and now targets her. When the boy starts calling her show and recites eerie nursery rhymes, an unnerving game of cat-and-mouse begins. When the game escalates, she suddenly finds herself in a terrifying all out war, one that forces her to redefine her ideas of good and evil, and has her fighting to stay alive.
Side Note: Personally, I don’t agree with nor support or respect the terrible things that Mr. Salva did in his past, but to that same respect neither do I agree with or respect the very things Roman Polański did in 1977, but what these filmmakers did in their personal lives don’t necessarily reflect their work as a filmmaker.